John H. White

John H. White - Photojournalist

John H. White PJ Love Celebration from Jon Sall on Vimeo.

 

 

I've been so fortunate to have had incredible teachers in my life. These teachers, from kindergarden (Ms. Lyons), and all the way up to college, have all pushed me to do better. One of these teachers has and still is teaching me about life is, Pulitzer Prize Winner  John H. White Staff Photographer for the Chicago Sun-Times, who will be celebrating his 40th anniversary as a staffer in Chicago this summer. John also taught Photojournalism Classes at Chicago's Columbia College and has done so for the past 30+ years. But not anymore, Photojournalism course may be offered in Columbia's upcoming fall semester but John H. White will not be teaching. This news puzzled me, why is JHW not teaching? Is he retiring? Is John working on a long-term project which may conflict with his course schedule. I was trying to rationalize and bring some sort of logic to this, only to find out from John himself that his not teaching was not by his choice.  Such sad news, from a man so willing to share his wisdom and knowledge about his life experiences. But I continue I wanted to share how I came to John's class.

 

Back in spring semester of 1991 at Columbia College I had signed up for Thursday night course at Columbia College called "Photojournalism 1". I was a Fine Art Photography Major at the school at the time and my program required that you take classes outside of your field of study and Photojournalism was one of these and 'thank-god' for this because I would of never of met the man who was about to change my life.  I had no previous knowledge of the teacher (John), I was not aware that he had won probably every major award in photojournalism to date, and I didn't know he working at my hometown newspaper The Chicago Sun-Times.  That night all I remembered was a very humble man walking in and introduce himself to his students. I was shocked because I had seen this man before, I had seen him on the CTA bus, specifically the 60 Blue Island Ave/26th line that took me downtown to school. John was on Chicago Sun-Times' Ads all over the bus and subway billboards that went like this. ('Power, Passion & Emotion in a blink of an Eye'  photographs you can see taken by John H. White, everyday in your Chicago Sun-Times). I had seen that ad countless of times back and forth riding public transportation. I was kinda shocked to see him standing there before me in class and wondering why was he teaching when he has a job already, was he broke and needed the money? I was in college remember I had no money and my world perspective was very limited in 1991.

 

Looking back he didn't so much teach about photojournalism, but he taught more about finding yourself, expressing those ideas feelings thru your camera and putting it on 36 frames of film, then onto a printed picture. He would then critique these prints in class find details you had overlooked and pushed each and everyone of his students to strive for greater and better photographs for next week's class. Funny I can't remember anyone of my other instructors at Columbia College being to excited about their student's work or looking forward to next's weeks class. 

 

I would come to realize that John taught because he LOVED too, and not for any monetary compensation. He already had a very demanding job working at a daily newspaper, he would then turn around and teach 2-classes a semester at Columbia College for student like me. Wow, that is true dedication, so rare to find in any profession. Because of John I changed majors, and I graduated as a photojournalism from Columbia College and began working for the very same newspaper my teacher and mentor was at. The very same place that ran ads on the bus, Chicago Sun-Times. I was still a John H. White student, not just in photojournalism but in life. 

This 2009 fall semester Columbia College will be offering a Photojournalism 1 course, but John H. White will not be the instructor.  I'm sad for John, but I'm also sad for the future photojournalism students at the school, who will never get a chance to experience John's course.  They will only hear about how Columbia once had one of the Premier Photojournalist in the Country and they let him go.

 

Sincerely,

 

Pablo Martinez Monsivais

Columbia College Alumni of the Year 2009

A final note on a remarkable career

 

I can't remember the first time I met John H. White. I think I was 6 or 7. All I remember is a photograph that was taken a long time ago in a building that isn't there anymore with people who have moved on to bigger and better things since then.

 

My Uncle was a staff photographer at the Chicago Sun-Times then. Then I didn't know anything about newspapers other than A. My Uncle worked at one, and B. His co-workers were really funny and nice.

 

About 14 years later I took the most important class of my college career at Columbia, simply titled PJ1.

 

I'd heard about the class from my uncle, an alum of John White's life course. 

 

 

In that class he showed my class a glimpse of not just photography, nor just photojournalism, but true life stories of remarkable people that we all too often deem ordinary. 

 

He was open, he was caring, and most of all, he was accepting.

 

You could bring in fine art photographs and pin them to the wall and he would not judge, and that's something I can't say for the rest of the photography dept.

 

He inspired 17 people, opened up all of our eyes and showed us love. He talked to us, took an interest in our lives and understood what was thrown our way.

 

I'll never forget how he stayed after class and helped out one student during an extremely difficult time, during which she could not complete her assignments for that week.

 

And that kindness was not limited to just one person. He showed it to everyone.

 

John White has had a remarkable career, and while his Pulitzers and professional achievements are something to be noted and lauded, for me his personal triumphs and open heart is something that will stay with me longer than his amazing photographs.

 

He will be missed in the Columbia community and a new generation of photographers will never miss him the way his past students have. 

 

And that's the thing I'm most sorry about.

 

Mauricio Rubio 

The Dream of Excellence

It is difficult to find a single journalist who does not dream of winning a coveted Pulitzer Prize. To win it, is to join an elite group of journalists. It is the Oscars of print news industry.

However, it is as difficult to have dedicated one's passion, work, and life to the single purpose of excellence in an industry which has lost its way and, for the most part, is barely able to sustain its existence with each passing day.

Miami Herald staff photojournalist Patrick Farrell has found a way bring excellence and prestige into a newsroom that often wept from lost rather from joy and jubilation. Farrell has worked at his hometown paper since 1987. Married with two children, Farrell has visited the island of Haiti several times and has produced some of the strongest visual statements about the nation and its people.



Surrounded by his wife, children, parents, and colleagues, Farrell did what came natural,he gave credit to others rather than himself. He asked that the suffering and plight of Haiti be not forgotten, and with that unselfish act he thanked his colleague, the veteran journalist Jacqueline Charles, and members of the Miami Herald photojournalism staff.

It would have been fine to just to have stop there, but Farrell did not because the story would not have been complete.



Standing aside, Luis Rios,the director of photography, quietly listened with pride. Like Farrell, he also shares the dream of excellence and the passion of visual storytelling. Farrell credits Rios for lighting the fire underneath him, giving him the critical guidance and leadership to produce the award-winning body of work. Rios has done this two times before at the Washington Post, and now has delivered on the promise of bringing great visual journalism and accolades to the Miami Herald.

For Farrell's sacrifices, he has been bestowed with the highest award in journalism.

For Rios' vision, passion, and excellence, well, he will be leaving the Miami Herald on April 24th, due to job cuts.



Iris PhotoCollective would like to salute two great journalists, Luis Rios, special projects manager and photo editor of Iris PhotoCollective, and Patrick Farrell. Thank you both for not giving up on your dreams, and allowing us to share in your excellence.

Recession Chronicles: Bonus Track

BREAKING: Inquirer CEO Tierney Got Bonus Before Bankruptcy

Though the company teetered on the verge of bankruptcy at the time, this past December Philadelphia Media Holdings awarded bonuses to CEO Brian P. Tierney, vice president of finance Richard Thayer and Daily News publisher Mark Frisby.

PMH board chair Bruce Toll confirmed bonuses of $350,000 for Tierney and $150,000 each for Thayer and Frisby in a phone conversation on Friday. Reached by phone, Frisby told Philadelphia, “The numbers are wrong. But I’m not going to give you a number.”

Frisby refused to comment any further.

Tierney did not immediately return phone calls requesting a comment for this story.

Thayer could not be reached by e-mail for a comment.

Toll had first told Philadelphia that no bonuses had been awarded when asked earlier this week, but agreed to look into the matter. Today he said the bonuses had in fact been paid.

“I forgot,” he said. “I’m involved with something like 20 companies, and [when Philadelphia first called] you were asking me to remember what happened in December. But when I asked around, some other board members reminded me we had approved the bonuses.”

PMH filed for bankruptcy in February. Toll, of the homebuilding Toll Brothers company, confirmed that the PMH board knew the company¹s fiscal situation was dire. “The financial condition of the papers was obviously not good,” said Toll. “We knew what was going to happen sooner or later.”

So why give out $650,000 in bonuses? “We thought it was deserved,” he said. “But we can’t get into the details because we’re involved in bankruptcy proceedings.”

It had earlier been revealed that Tierney received a raise in December, just before Christmas, boosting his pay roughly 40 percent to $850,000. The company initially defended the raise, which was revealed in its bankruptcy filing, by saying that Tierney had taken on extra responsibilities since his initial deal had been struck.

Tierney gave up the raise shortly after it was revealed. Frisby and Thayer simultaneously gave back smaller raises. Now comes news of the bonuses, which were awarded just two months after the company’s unions voted to postpone $25-a-week raises for each of its members at the request of PMH.

UPDATE: Saturday morning, Bruce Toll called back and left a voice mail message saying he is not actually sure of the bonus amounts.

Brian Tierney still has not returned phone calls requesting a comment. — Steve Volk

http://blogs.phillymag.com/news/2009/03/27/breaking-inquirer-ceo-tierney-bagged-350000-bonus-before-bankruptcy/

Referencing a remark by Jon Stewart of the state of today seems appropriate. “Where is the outrage? Other countries would be rioting in the streets – but our country sends out emails in “CAPITAL LETTERS.”


Bonus Track

A Silent Epidemic




We awake momentarily.
Bored, our eyes close as we drift
back to sleep.
Vulnerable, the devil sharpens the knife’s edge
of complacency
Creating the United States of Amnesia

Peter Tobia
Penns Landing, Philadelphia
1/4/07

The Recession Chronicles: Peter Tobia

Peter Tobia has been a photojournalist for 25 years working most recently at the Philadelphia Inquirer where he covered local, national and international assignments for 15 years. He produced photographic essays from Somalia, Pakistan, Sierra Leone, East Africa and Iraq. He is currently freelancing and is based in Philadelphia metropolitan area.

NEWSPAPERS NEED THEIR OWN G SUMMIT

Newspapers across the country need their own G summit, convention, etc., and agree on one thing: All newspapers will charge a fee for going online to newspaper websites. If people want to read the news online than they should have to pay for it. Newspapers need to stop wasting time and move on and take responsibility for where they are going instead of standing idly by and watching the walk to the slaughterhouse. Newspapers prided themselves on giving voice to those who had none. Telling the story of the little guy. Now newspapers are the little guy and they are silent. If newspaper people believe in what they do they need to shout loud so they are heard. They need to get out of the newsroom and into the streets.


Old City, Philadelphia, Peter Tobia 3/6/09

'Untitled'

The early years. On fire!
Tumbling through stars
a million miles away into another universe, looking to stop time while trusting the map of intuition and passion.
Never thinking of the ending, only the moment; decisive, fleeting, unbroken.

IRIS RISING: University of Southern Mississippi Photojournalism Workshop

The University of Southern Mississippi Photojournalism Workshop took place over the weekend and was organized and directed by Clarence Williams, Iris PhotoCollective co-founder and head of University of Southern Mississippi's photojournalism department. Iris PhotoCollective photographers André Chung, Carl Juste, and Pablo Martínez Monsívaís rounded out the instructors. 

Pablo Martínez works with students.

Starting with four college and five high school students, the workshop concentrated on engaging students in the visual language of photography and advancing the strong ethics of photojournalism.

Among the high school students, Raymond High School junior Sadie Carrillo produced a standout photo essay on race relations at her predominately black public high school. The thoughtful portraits are especially poignant when paired with the quotes of her young subjects.

photo by Sadie Carrillo

USM photojournalism major Eli Baylis stepped up with a powerful story of an undocumented Mexican immigrant and his family as they wait to find out his disposition. James Cortez (an alias) was caught in a sweep of undocumented workers at Howard Industries that saw 600 people detained, and now faces deportation.

photo by Eli Baylis

 

We will update you with a link to their work as soon as the gallery is posted. 

Iris Rising

In 2009 and beyond, Iris PhotoCollective will be participating in various international, national, and community-based events in several cities. Iris Rising will serve as a source to explore these events, to keep our friends informed and current on the where, who, and when of various Iris' endeavors.

Black Crossroads: The African Diaspora in Miami
On display March 5, 2009 to January 24, 2010
http://www.hmsf.org/exhibitions-bcross.htm
Historical Museum of Southern Florida
101 W. Flager Street, Miami, Florida 33130
305-375-1492






Diverse groups of the African diaspora have come to settle, work and struggle for freedom in Miami since its incorporation in 1896 to the present day. In the process they have made significant political, economic and cultural contributions to the city. Black Crossroads: The African Diaspora in Miami explores the enduring presence and impact of African-Americans, Africans, black Caribbeans and black Hispanics on Miami.

The art of Iris PhotoCollective photojournalists, Andre Chung and Carl Juste, is part of this expansive and comprehensive exhibit. Andre Chung's photograph of a Haitian migrant worker dominates the large north wall creating a spacious pictorial landscape that incorporates a multi-media display within its frame.




Chung's complete attention to the nuances of Miami's diverse groups of the African diaspora is an anthropological approach to visual story telling. Keeping clear of cultural stereotypes and miscues, helps add to the depths of this exhibit and to his work.


On display in this exhibition are historic photographs, oral histories, memorabilia, film/video and artifacts related to black pioneers, families, laborers, communities and organizations spanning the over 100 history of black migrations to Miami.

Helping document South Florida's African diaspora, is one of the many highlights in Iris' participation in Black Crossroads: The African Diaspora in Miami.

So, if you are in the South Florida area and want to engage in a unique cultural experience please visit the exhibit at the Historical Museum of Southern Florida.


Take a free guided tour of the exhibition.

Free guided tours of Black Crossroads: The African Diaspora in Miami will be offered on the following dates and times:


Date/Time
Saturday, April 11 4 pm
Sunday, April 12 2 pm
Saturday, May 9 4 pm
Sunday, May 10 2 pm
Saturday, June 13 4 pm
Sunday, June 14 2 pm
Saturday, July 11 4 pm
Sunday, July 12 2 pm
Saturday, August 15 4 pm
Sunday, August 16 2 pm
Saturday, September 12 4 pm
Sunday, September 13 2 pm
Saturday, October 10 4 pm
Sunday, October 11, 2 pm
Saturday, November 14 4 pm
Sunday, November 15 2 pm
Saturday, December 12 4 pm
Sunday, December 13 2 pm
Saturday, January 9 4 pm
Sunday, January 10 2 pm

The Recession Chronicles

American journalism is in peril. Thousands of reporters, graphic artists,designers, writers, columnists,and photojournalists have either lost their jobs, or are in fear of joining the unemployed.




Sports blogger Rufus Dawes comments:


Newspapers have been the country’s most trusted source of news for most of our history. Between 1790 and 1800, the number of newspapers in this country increased from under 100 to over 230. By 1810 Americans were buying more than 22 million copies of 376 newspapers annually, the largest aggregate circulation of newspapers in any country in the world. (Frank Luther Mott, American Journalism: A History,1690-1960)


Today, however, is a different case as stated by the Bulldog Reporter's Daily Dog:


"In 2009 and 2010, all the two-newspaper markets will become one-newspaper markets, and you will start to see one-newspaper markets become no-newspaper markets," said Mike Simonton, a senior director at Fitch Ratings, who analyzes the industry, reports Times writer Richard Perez-Pena.

Many critics and competitors of newspapers — including online start-ups that have been hailed as the future of journalism — say that no one should welcome their demise.

"It would be a terrible thing for any city for the dominant paper to go under, because that's who does the bulk of the serious reporting," said Joel Kramer, former editor and publisher of the Star Tribune and now the editor and chief executive of MinnPost.com, an online news organization in Minneapolis. "Places like us would spring up," he told the Times, "but they wouldn't be nearly as big. We can tweak the papers and compete with them, but we can't replace them."

No one knows which will be the first big city without a large paper, but there are candidates all across the country. The Hearst Corporation, which owns the Post-Intelligencer, has also threatened to close the San Francisco Chronicle, which lost more than $1 million a week last year, unless it can wring significant savings from the operation.

As our nation and the world faces this extreme downturn, what are we, those you are still working and those who have been laid off, doing to deal with this crisis? Do you have a story, anecdote, a productive insight to share about the fate of American journalism?

Are you willing to tell your own story about losing your job, getting a new one,or starting a new life outside journalism? How is this recession going to change our democracy, the 4th Estate, our standard of living?

How do we hold the government, the private sector, and other institutions that form our democracy accountable?

Join us to tell these stories of struggle and triumph. Do you have a solution? How have you triumphed? How do you plan to survive?

The Recession Chronicles is a multi-media diary. Submit a video, a photograph, or an essay that can help us all understand this crisis and its effects in personal terms. Each entry or comment should have a dateline followed by the author's name and current employment status. You can choose to remain anonymous, but no character assassinations, please. If anyone chooses to name names then the author's name must be released.

Best of luck to all.